A reluctant burglar, phone sex, a murder and a girl who prefers to knit are four stories under the title ?Bad Lesbian,? another winner from Girlfriends Films (GFF), the company that produces ?the most realistic sex in lesbian adult video.?

The narratives are presented under an umbrella of two themes. Episodes one and four have a dark, criminal motif and two and three are lighter with a more girly feel.

In the first story, Dillion Harper is the thief who wants out and Cassandra Nix is her partner who is as interested in Dillion?s sweetness as she is in their business arrangement. Supposedly nabbed after their failed robbery, Cassandra fakes a beating and convinces her reluctant pal to soothe her wounds.

In short order, Cassandra lays the blame on a surprised and sympathetic Dillion.

?If you hadn?t left me there, this wouldn?t have happened,? Cassandra says.

Guilt overtakes Dillion; Cassandra is pleased with her deception. After a kiss, the sex is underway.

In classic GFF manner, the predator takes over and sex becomes a rough and tumble affair. There?s revenge in Cassandra?s plan. She grabs Dillion?s hair, grinds her crotch against the weaker girl?s face, and playfully slaps the sweet little brunette. It is payback tinged with desire. The scene concludes with a steamy sixty-nine.

Crime is also the theme of the fourth and final vignette. Natalie Heart is the abused and desperate daughter of a predator dad; Allie Haze is her new found street tough friend. Retribution is on call as Allie?s switchblade dispenses with the inappropriately horny father while Natalie cringes in the shadows.

?There?s no turning back,? gangster Allie tells the precious little beauty, who hides her timidity behind a smile. Allie now possesses the meek brunette for her own pleasure and plays Natalie?s sultry body like the porn vet she is. There?s lots of oral and finger banging, characteristic of each episode in this four-part package. Allie?s macho aggressiveness and Natalie?s natural assets add to the real attraction of this episode: two loners united in a deal sealed with blood. When the scene concludes, the viewer is left wanting more.

Narrative two is a charmer and changes the tone of the vignettes. The pleasingly tatted Ash Holloway, the phone sex girl, is a sexually charged college dropout. Her playmate is Kiera Winters a nerdy girl who is studying her life away.

Kiera spots Ash in her family?s backyard kneeling beside the doghouse talking on her cell. Kiera investigates and the punkish looking blonde explains she wants to keep her $30-a-call gig from her mother. Kiera is curious and Ash suggests she change her plans, at least for the day.

?You?re about to spend four to six years of your young adult life buried in books,? Ash declares. ?Have you ever done anything crazy??

Kiera is game and soon finds out there is more fun to be had than just talking to dweebish guys.

The episode has terrific girl/girl chemistry and GFF fans will love the diminutive Kiera in this scene. She is that sweet. During the sex, Ash finger bangs Kiera and reinforces their dalliance with a smutty ?Deep down, you?re just a dirty girl.?

The third narrative between adopted daughters is the hottest of the group. For sheer sexiness, Bailey Blue and Casey Calvert are top of the line. Bailey is the aggressor with the submissive Casey as the girl who knits.

Casey is trying to drop the party life but her ?sister? persuades the gorgeous brunette to dispense with the knitting needle and go out on the town. Later when the sex steams up Casey?s facial expressions capture the hesitancy she feels in reneging on her resolve. Casey Calvert is outstanding in roles built around the reluctant, unsure girl.

Bailey is superb as the spunky sister. Their sex is hot and mutual, produced by two actresses who are building solid careers.
One more observation on Bailey and Casey, two sexually involved adopted daughters is not at all unbelievable with today?s blended families. As a result, their acting is crafted to authenticate the situation. Bailey is appropriately petulant and Casey?s weak resistance makes the storyline genuine.

A GFF movie requires convincing dialogue delivery. Though it?s a bit stilted at times as with Natalie Heart in part four and Cassandra Nix in the first encounter, the flow is natural in part three?s Bailey and Casey and Allie Haze in the fourth episode. The conversations feel unscripted; the girls are let loose to communicate their own way.

?Bad Lesbian? is highly recommended. Bodies are framed equally with editing that produces a good mixture of shots that are sexual but not always graphic. The performers create natural connections, at first communicating their differences before using their mutual chemistry to bring those opposites together.

This kind of movie magic doesn?t happen without planning and a carefully managed on set experience. Few studios do that better than GFF.